{"id":23,"date":"2026-04-15T15:51:45","date_gmt":"2026-04-15T19:51:45","guid":{"rendered":"https:\/\/www.normandrajotte.com\/en\/?page_id=23"},"modified":"2026-06-04T11:42:13","modified_gmt":"2026-06-04T15:42:13","slug":"carcasse-by-normand-rajotte","status":"publish","type":"page","link":"https:\/\/www.normandrajotte.com\/en\/carcasse-by-normand-rajotte\/","title":{"rendered":"Carcasse, by Normand Rajotte"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div id=\"tdi_1\" class=\"tdc-row\"><div class=\"vc_row tdi_2  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_2,\r\n                .tdi_2 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_2,\r\n\t\t\t\t.tdi_2 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_2 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_2:before,\r\n\t\t\t\t.tdi_2:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_4  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_4{\r\n                    vertical-align: baseline;\r\n                }.tdi_4 > .wpb_wrapper,\r\n\t\t\t\t.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text css=\u00a0\u00bb\u00a0\u00bb]\r\n<h3>Carcasse, by Normand Rajotte<\/h3>\r\nColumn: <a href=\"https:\/\/cielvariable.ca\/en\/category\/photobook\/\" target=\"_blank\" rel=\"noopener\">The Photobook<\/a> | Tags: <a href=\"https:\/\/cielvariable.ca\/en\/tag\/9_photobook\/\" target=\"_blank\" rel=\"noopener\">The Photobook<\/a> | Authors: <a href=\"https:\/\/cielvariable.ca\/en\/auteurscv\/bertrand-sophie-en\/\" target=\"_blank\" rel=\"noopener\">Sophie Bertrand<\/a> | Artists: <a href=\"https:\/\/cielvariable.ca\/en\/artistescv\/rajotte-normand-en\/\" target=\"_blank\" rel=\"noopener\">Normand Rajotte<\/a>\u00a0 [March 21, 2023]\r\n\r\nBy Sophie Bertrand\r\n\r\nA few weeks ago, during a Sunday stroll in a park in the Lanaudi\u00e8re region, my eye was drawn to a large lump lying not far from the path I was on. The animal\u2019s corpse, just a few meters away, literally blended in with the winter landscape, like a rock, between the entangled trunks and trees humbly withstanding the passage of the seasons. The red spots sprinkled on the powdery snow confirmed that the assault was recent. After briefly speculating on what was responsible for the attack, I left the fresh remains of the deer undisturbed, as it was now an offering to nature. My experience was similar to that recorded in Normand Rajotte\u2019s images.[\/vc_column_text][vc_single_image image=\u00a0\u00bb426&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Normand Rajotte, <em>Carcasse<\/em>, Montreuil-sur-Br\u00e8che, Diaphane \u00e9ditions, New Richmond, \u00e9ditions Escuminac, 2022, 136 pp., 43 colour and 35 black-and-white photographs\r\n\r\nIn his most recent book, <em>Carcasse<\/em>, Rajotte unveils the forest\u2019s secrets regarding life after death \u2013 or, rather, death after life. He focuses on the post-mortem ritual once an animal\u2019s corpse has been abandoned by a hungry predator. The book contains a long sequence of about eighty colour and black-and-white (infrared) photographs. Many of the images have the same point of view and framing, with a few slight variations. The scene presents the cadaver of an animal lying in the middle of the woods. At first, while it is covered by a shroud of snow, we can pick out only its silhouette. Then, gradually, as the snow melts, we can identify it: a white-tailed deer, the victim of a fatal encounter with a coyote, as Rajotte informs us in his epilogue. Then, a procession of animals \u2013 among them deer, coyotes, black bears, and wolves \u2013 and carrion birds \u2013 large crows and other birds of prey \u2013 show up at the funerary festivities, popping up in the frame, both day and night. Preferring to be off-screen or indifferent to the programmed focus, some seem interested in the carcass whereas others go their own way, including snowshoe hares, regular visitors to the site who parade past the camera as they undergo their seasonal moults. Although Rajotte himself appears occasionally in an image, he prefers to be in the background as the shots are taken: thus, in his own way, he scrutinizes what goes on behind the scenes in this forest that he knows so well, as well as the usually discreet circulation of fauna day and night, that only permanently installed surveillance cameras can capture.[\/vc_column_text][vc_single_image image=\u00a0\u00bb424&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]To carry out this project, Rajotte \u201ckept watch\u201d for eleven months in the woods near his home. Two camouflaged hunting cameras acted as peepholes and as tools for observation of the animal cycle.1 Once the adjustments were made, he went away to let nature do its work. Although the book\u2019s unequivocal title highlights the process of organic decomposition from corpse to skeleton, it is much more than a simple scientific study. Based on the photographic sequencing, the repeated visits around the remains are reminiscent of a wake. In turn, the corpse is a meeting place, a temporal reference point, and a vestige; finally, it disappears entirely, leaving only a memory. In the end, nature, as is its wont, restores its order to the space wiped clean of the last bits of bone.\r\n\r\nFor more than twenty years, Rajotte, who lives in Montreal, has had a second residence in the Mont-M\u00e9gantic region of Quebec, where this narrative was produced. Today, his photographic practice is turned mainly toward an inventory of his evolving relationship with this bit of forest, his terrain for inspiration and introspection and his creative material. It is here that most of his corpus is shaped, even though he is occasionally unfaithful to it, leaving for a few weeks when invited to go and explore other landscapes. Always aware of the non-exhaustiveness of the representation process, he tries in each of his series to convey, through the deep and lasting connection that he maintains with this nearby space, the different visual languages that his subject offers him. In this narrative offering, he has deliberately chosen not to be present to document reality but to capture it in absentia in order not to interfere with the rituals of his beloved territory and allowing it to reveal some of its secrets.[\/vc_column_text][vc_single_image image=\u00a0\u00bb428&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<em>Carcasse<\/em> was presented in 2018 as an in situ installation at Mouvement Essarts in Saint-Pie-de-Guire, Quebec. The small-format book offers an intimate alternative and a reading experience both cinematographic and flip-book-like, without actually animating the subject. Translated by K\u00e4the Roth\r\n\r\n<em>Photographer, critic, and independent curator<\/em> <strong>Sophie Bertrand<\/strong> <em>has been a regular contributor to <\/em>Ciel variable<em> since 2018. Her essays have also been published in <\/em>Photosolution, Esse, Ricochet<em>, and <\/em>L\u2019\u0152il de la photographie<em>, as well as in the book Une histoire des femmes photographes. She holds a master\u2019s degree in museology from the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, and her research areas include contemporary and documentary photography, heritage, and photographic collections.<\/em>[\/vc_column_text]<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"[vc_column_text css=\"\"] Carcasse, by Normand Rajotte Column: The Photobook | Tags: The Photobook | Authors: Sophie Bertrand | Artists: Normand Rajotte\u00a0 [March 21, 2023] By Sophie Bertrand A few weeks ago, during a Sunday stroll in a park in the Lanaudi\u00e8re region, my eye was drawn to a large lump lying not far from the [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":8,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":464,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/23\/revisions\/464"}],"wp:attachment":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}