{"id":53,"date":"2026-04-29T08:52:29","date_gmt":"2026-04-29T12:52:29","guid":{"rendered":"https:\/\/www.normandrajotte.com\/en\/?page_id=53"},"modified":"2026-04-29T08:52:29","modified_gmt":"2026-04-29T12:52:29","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.normandrajotte.com\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div id=\"tdi_1\" class=\"tdc-row\"><div class=\"vc_row tdi_2  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_2,\r\n                .tdi_2 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_2,\r\n\t\t\t\t.tdi_2 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_2 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_2:before,\r\n\t\t\t\t.tdi_2:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_4  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_4{\r\n                    vertical-align: baseline;\r\n                }.tdi_4 > .wpb_wrapper,\r\n\t\t\t\t.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]\n<table id=\"tablepress-1\" class=\"tablepress tablepress-id-1 tbody-has-connected-cells\">\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-1\">\n\t<td colspan=\"2\" class=\"column-1\"><span style=\"color: #333333;\"><b>SOLO EXHIBITIONS (selection)<\/b><\/span><\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">2026<\/td><td class=\"column-2\">\u00abThe Illusory Stillness of the Forest\u00bb<br \/>\nD\u00c8S Gallery, Montreal (Qc)<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">2023<\/td><td class=\"column-2\">\u00abCarcasse\u00bb<br \/>\nRencontres internationales de la photographie en Gasp\u00e9sie 2023, New-Richmond, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">2021<\/td><td class=\"column-2\">\u00abConfidences du vivant\u00bb duo<br \/>\nOdace \u00e9v\u00e8nements, Mont-Royal Avenue, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">2019<\/td><td class=\"column-2\">\u00abSur les lieux\u00bb (On location)<br \/>\nLa Castiglione Gallery, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">2018<\/td><td class=\"column-2\">\u00abCarcasse\u00bb (Carcass)<br \/>\nMouvement Essarts, St-Pie-de-Guire, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">\u00abLe Chantier\u00bb<br \/>\nLa Castiglione Gallery, Montr\u00e9al (Qc)<br \/>\n\u00abAimer la nature\u00bb (Loving Nature)<br \/>\nLes Photaumnales, Le Quadrilat\u00e8re, Beauvais, France (exhibition and artist-in-residence)<br \/>\n\u00abEmpreintes-Normand Rajotte\/Alfred Ehrhardt-Tierpuren\u00bb<br \/>\nAlfred Ehrhardt Foundation, Berlin, Germany<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">2011<\/td><td class=\"column-2\"> \u00abComme un murmure\u00bb (Like a Whisper)<br \/>\nL\u2019Arsenal, Mois de la Photo de Montr\u00e9al, (Quebec)<br \/>\n- 2012 Rencontres internationales de la photographie en Gasp\u00e9sie 2012 (Qc)<br \/>\n- 2012 Rencontres photographiques du Kamouraska 2012, Kamouraska, (Qc)<br \/>\n- 2012 Centre VU, Qu\u00e9bec City, (Qc)<br \/>\n- 2015 CNE, Saguenay, (Qc)<br \/>\n\u00abComme un murmure (suite)\u00bb<br \/>\nPang\u00e9e Gallery, Montr\u00e9al (Qc)<br \/>\n-2012 Papier 12, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">2007<\/td><td class=\"column-2\">\u00abRegarder la rivi\u00e8re passer\/Watching the River Flow by\u00bb<br \/>\nIndexg Gallery, Toronto, (Ontario)<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">\u00ab Marcher sa trace \u00bb (Walking in my Foot Prints)<br \/>\nOccurrence Gallery, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">\u00abDu cadavre \u00e0 l\u2019exquis\u00bb (duo)<br \/>\nCentre Vu, Qu\u00e9bec City, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">\u00abEntrer dans les terres \u00bb (Entering the Land)<br \/>\nVOX Gallery, Montr\u00e9al, (Qc)<br \/>\n-1999 Mistral Gallery, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1994<\/td><td class=\"column-2\">\u00abOeuvres 1983-1990\u00bb<br \/>\nCanadian Museum of Contemporary Photography, Ottawa (On.)<br \/>\nTravelling Exhibition, produced by The Canadian Museum of Contemporary Photography<br \/>\n- 1994 Station Gallery, Whitby, (On.)<br \/>\n- 1992 Art Gallery of Peterborough, (On.)<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1993<\/td><td class=\"column-2\">\u00abDes apr\u00e8s-midi sans bruit\u00bb (Quiet Afternoons) Maison de la culture Plateau Mont-Royal, Montr\u00e9al, (Qc)<br \/>\n- 1993 Exposition Center, Rouyn-Noranda, (Qc)<br \/>\n- 1994 Espace F Gallery, Matane, (Qc)<br \/>\n- 1996 Exposition Center, Drummondville, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">\u00abDans les coins oubli\u00e9s, \u00e0 la recherche des dieux tranquilles\u00bb<br \/>\n(In Forgotten Corners, Searching for Quiet Gods)<br \/>\n- Hamilton Artist\u2019s inc., Hamilton, (On.)<br \/>\n- Sans-Nom Gallery , Moncton, (New-Brunswick, Canada)<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1989<\/td><td class=\"column-2\">- S\u00e9quence Gallery, Chicoutimi, (Qc)<br \/>\n- Dazibao Gallery, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td colspan=\"2\" class=\"column-1\"><span style=\"color: #333333;\"><b>GROUP EXHIBITIONS (selection)<\/b><\/span><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">\u00abPounding the Pavement_ Montreal Street Photography\u00bb<br \/>\nMcCord Stewart Museum, Montr\u00e9al, (Qc)<br \/>\n\u00abThe Photobook in Quebec : Current Perspectives\u00bb<br \/>\nArtexte, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2023<\/td><td class=\"column-2\">\u00abTerritories under Observation \/ Territorios Baja observacion\u00bb<br \/>\n(Curator Lili Michaud, Occurrence Center, Montr\u00e9al)<br \/>\nMuseo Raul Anguiano, Guadalajara, (Mexico)<br \/>\nMuseo de Arte de Quer\u00e9taro, Santiago de Quer\u00e9taro (Mexico)<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2021<\/td><td class=\"column-2\">\u00abL\u2019objet de la nature\u00bb<br \/>\nAd\u00e9lard Center, Freligshburg (Qc)<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2019<\/td><td class=\"column-2\">\u00abAppara\u00eetre-Dispara\u00eetre\u00bb<br \/>\nGrantham Foundation for the Arts and the Environment, St-Edmond (Qc)<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2018<\/td><td class=\"column-2\">\u00abTerritoires 1\u00bb (Territory 1)<br \/>\nLa Castiglione Gallery, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2017<\/td><td class=\"column-2\">\u00abLa maquette\/livre photographique\u00bb<br \/>\nLa Castiglione Gallery, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Art Toronto<br \/>\nToronto (On)<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2014<\/td><td class=\"column-2\">\u00abIndustries\u00bb Normand Rajotte, Charle-Fr\u00e9d\u00e9ric Ouellet, Alicia Bruce, Martin Hunter<br \/>\nStreet Level Photoworks, Glasgow, UK<br \/>\nCentre VU, Qu\u00e9bec City, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">2013<\/td><td class=\"column-2\">\u00abAuteur Photography in Quebec : a Collection Takes Shape\u00bb<br \/>\nMontreal Museum of Fine Arts, Montreal, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">2012<\/td><td class=\"column-2\">\u00abRetour aux sources\/Back to the Land\u00bb<br \/>\nCanadian Museum of Contemporary Photography, National Gallery of Canada, Ottawa (On.)<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">2011<\/td><td class=\"column-2\">\u00abD\u00e9clic 70\u00bb<br \/>\nSAS Gallery, Montr\u00e9al, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">2006<\/td><td class=\"column-2\">\u00abMetamorphosis : Four Photographers on Landscape\u00bb<br \/>\nIndexG Gallery, Toronto, (On.)<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">2006<\/td><td class=\"column-2\">\u00abDouble 6\u00bb<br \/>\nIndexG Gallery, Toronto, (On.)<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">\u00abVertiges \u00bb<br \/>\nSalle capitulaire de la Cour Malby, Bordeaux, France<br \/>\n\u00abBringing to Order: Expression in Canadian Photographic Practic\u00bb<br \/>\nCanadian Museum of Contemporary Photography, Ottawa, (On.)<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">2000<\/td><td class=\"column-2\">\u00abVernissage...5 artistes contemporains des Cantons de l\u2019Est\u00bb<br \/>\nArt Gallery Bishop University, Lennoxville, (Qc)<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">\u00abSans Titre\u00bb (Untitled) (Bertrand Carri\u00e8re, Serge Cl\u00e9ment, \u00c9ric Daudelin et<br \/>\nNormand Rajotte)<br \/>\nSimon Blais Gallery, Montr\u00e9al, (Qc)<br \/>\n\u00abD\u00e9clics: art et soci\u00e9t\u00e9, le Qu\u00e9bec des ann\u00e9es 60 et 70\u00bb<br \/>\nMuseum of Contemporary Art, Montr\u00e9al, (Qc)<br \/>\n\u00abTerra Incognita\u00bb (duo)<br \/>\nTPW Gallery, Toronto, (On.)<br \/>\n\u00abPhotographing the Land\u00bb<br \/>\nEastern Edge Gallery, St-John, Newfoundland<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">1992<\/td><td class=\"column-2\">\u00abBeautiful\u00bb<br \/>\nCanadian Ambassy, Paris, France<br \/>\nCanadian Museum of Contemporary Photography, Ottawa (On.)<\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td colspan=\"2\" class=\"column-1\"><span style=\"color: #333333;\"><b>FILM<\/b><\/span><\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">2019<\/td><td class=\"column-2\">\u00ab Terrestres \u00bb, short film (9:46 minutes), 2019<br \/>\nBideodromo International Experimental Film and Video Festival 2020 (Bilbao, Espagne). 2nd prize<br \/>\nIn competition at the Festival du Nouveau Cin\u00e9ma de Montr\u00e9al 2020,<br \/>\nat Imagine Science Film Festival 2020 (New York),<br \/>\nat Corsica Doc 2020 (Ajaccio, France),<br \/>\nat Aricadoc International Documentary Film Festival 2021 (Arica, Chili),<br \/>\nat Reel 2 Real International Film Festival For Youth 2021(Vancouver, Canada),<br \/>\nat Rendez-vous Qu\u00e9bec Cin\u00e9ma 2021 (Montr\u00e9al, Canada)<br \/>\nSpecial mention at Dawson City Short FF 2021 (Canada),<br \/>\nSelected at Antimatter Media Art 2021 (Victoria, BC, Canada),<br \/>\nBroadcast on the online platform T\u00ebnk cin\u00e9ma documentaire (France), 2021<br \/>\nShown at Rencontres Photo Gasp\u00e9sie 2021(Carleton, Qc ,Canada)<br \/>\nShown at Symposium Cr\u00e9er\/montrer\/conserver \u00e0 la Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise, 2022 (Montr\u00e9al, Canada)<\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td colspan=\"2\" class=\"column-1\"><span style=\"color: #333333;\"><b>COLLECTIONS (selection)<\/b><\/span><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Museum of Contemporary Art, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Art Bank of the Canada Council for the Arts, Ottawa (On.)<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Canadian Museum of Contemporary Photography, Ottawa (On.)<\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Mus\u00e9e national des beaux-arts du Qu\u00e9bec, Qu\u00e9bec City (Qc)<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise, Montr\u00e9al (Qc)<\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Loan Collection of Artworks, Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec City (Qc)<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Public Art, Int\u00e9gration des arts \u00e0 l\u2019architecture (Centre Gouin, Montr\u00e9al) (Qc)<\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Foreign Affairs and International Trade of Canada, Fine Arts Program, Ottawa (On.)<\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Montreal Museum of Fine Arts (Qc)<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">McCord Stewart Museum, Montreal<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Art Council of Montr\u00e9al<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Hydro-Qu\u00e9bec Collection, Montr\u00e9al<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Hudson Bay Company Collection, New York<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Desjardins Collection, L\u00e9vis (Qc)<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Caisse de d\u00e9p\u00f4t et placement du Qu\u00e9bec Collection, Montr\u00e9al<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td colspan=\"2\" class=\"column-1\"><span style=\"color: #333333;\"><b>PUBLICATIONS (selection)<\/b><\/span><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">2022<\/td><td class=\"column-2\">Carcasse\/Carcass, photographs and text Normand Rajotte, \u00c9ditions Escuminac (Qu\u00e9bec, Canada) and<br \/>\nDiaphane \u00e9ditions (France), 2022, 136 pages : 43 color and 35 b\/w photographs. English\/French<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">Le Chantier, artist's book, 1st edition published in 15 copies in 2017 (80 pages, 42 color photographs),<br \/>\n2nd edition published in 15 copies in 2025 (82 pages, 46 color photographs)<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Comme un murmure\/Like a whisper, photo Normand Rajotte, text Alexis Desgagn\u00e9s,<br \/>\nKehrer Verlag Heidelberg\/Berlin, 2016, 84 pages, 46 color photographs<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">2015<\/td><td class=\"column-2\">Le Chantier, portfolio, CV 99, (pages 32 \u00e0 39), janvier 2015<\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">Marcher sa trace (Walking in my foot prints), monograph, photo Normand Rajotte, text Jennifer Cou\u00eblle,<br \/>\n\u00c9ditions Les 400 coups, Montr\u00e9al, 2004, 119 pages, 77 photographs (color and b\/w)<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">1992<\/td><td class=\"column-2\">Arch\u00e9types d\u2019apr\u00e8s nature, portfolio, CV 21, (pages 6 \u00e0 13), hiver 1992<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">1991<\/td><td class=\"column-2\">L\u2019ombre, La Recherche photographique #11(Maison europ\u00e9enne de la photo) (pages 65-66), 1991<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">1978<\/td><td class=\"column-2\">Transcanadienne, sortie 109 (Trans-Canada Highway, exit 109), photographs Jean Lauzon, Normand Rajotte,<br \/>\nPierre Rondeau, text Yves Proulx, \u00c9ditions OVO, Montr\u00e9al, 1978, 107 pages, 102 b\/w photographs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-1 from cache -->[\/vc_column_text]<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"[vc_column_text] SOLO EXHIBITIONS (selection) 2026\u00abThe Illusory Stillness of the Forest\u00bb D\u00c8S Gallery, Montreal (Qc) 2023\u00abCarcasse\u00bb Rencontres internationales de la photographie en Gasp\u00e9sie 2023, New-Richmond, (Qc) 2021\u00abConfidences du vivant\u00bb duo Odace \u00e9v\u00e8nements, Mont-Royal Avenue, Montr\u00e9al (Qc) 2019\u00abSur les lieux\u00bb (On location) La Castiglione Gallery, Montr\u00e9al (Qc) 2018\u00abCarcasse\u00bb (Carcass) Mouvement Essarts, St-Pie-de-Guire, (Qc) 2016\u00abLe Chantier\u00bb La Castiglione [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-53","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":1,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":54,"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/pages\/53\/revisions\/54"}],"wp:attachment":[{"href":"https:\/\/www.normandrajotte.com\/en\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}